Tuesday, June 03, 2008

Key to All Optical Illusions Discovered

http://webpages.csus.edu/~sac96667/illusion.jpg


Humans can see into the future, says a cognitive scientist. It's nothing like the alleged predictive powers of Nostradamus, but we do get a glimpse of events one-tenth of a second before they occur.

And the mechanism behind that can also explain why we are tricked by

Optical Illusions

http://www.michaelbach.de/ot/

full tour stepping feet Motion Induced Blindness Illusion Kinetic Depth Effect, Autokinetic snake snake Pinna-Brelstaff Motion Adaptation, Waterfall Illusion Motion Adaptation, spiralling Roget Illusion Reverse Spoke Illusion wagon-wheel Illusion stroboscopic Illusion Sigma Illusion Eye Jitter Biological Motion flash lag Ramp Illusion Reverse Phi Illusion Motion Bounce Illusion Motion Bounce Illusion missingFundamentalIcon frequencyDoublingIcon kaleidoscopeIcon hermannGridIcon hermannGridCurvedIcon Grid Illusions Induced Grating Illusion COBC Koffka Luminance Illusion Simultaneous Contrast Illusion Pyramid Illusion Munker-White Illusion Adelson Brightness Illusion checkerboard shadow Contrast Illusion contrast gain control Lazy Shadow Vernier & acuity coloured afterimages Benham Top Color Illusion Neon Illusion Motion at equiluminance Gestalt at equiluminance Hering Illusions Poggendorff Illusion Frazer Illusion Cafe Wall Illusion Triangle Puzzle Müller-Lyer Illusion Moon Illusion T illusion sine illusion luminance loomingI Shepard table shepard monster reverspective missing Corner Cube silhouette illusion Frankfurter Blur Illusion Blur Illusion Blur Illusion Blotted Letter Illusion dalmatian Hidden Bird Rotation Illusions

Researcher Mark Changizi of Rensselaer Polytechnic Institute in New York says it starts with a neural lag that most everyone experiences while awake. When light hits your retina, about one-tenth of a second goes by before the brain translates the signal into a visual perception of the world.

Scientists already knew about the lag, yet they have debated over exactly how we compensate, with one school of thought proposing our motor system somehow modifies our movements to offset the delay.

Changizi now says it's our visual system that has evolved to compensate for neural delays, generating images of what will occur one-tenth of a second into the future. That foresight keeps our view of the world in the present. It gives you enough heads up to catch a fly ball (instead of getting socked in the face) and maneuver smoothly through a crowd. His research on this topic is detailed in the May/June issue of the journal Cognitive Science,

Explaining illusions

That same seer ability can explain a range of optical illusions, Changizi found.

"Illusions occur when our brains attempt to perceive the future, and those perceptions don't match reality," Changizi said.

Here's how the foresight theory could explain the most common visual illusions — geometric illusions that involve shapes: Something called the Hering illusion, for instance, looks like bike spokes around a central point, with vertical lines on either side of this central, so-called vanishing point. The illusion tricks us into thinking we are moving forward, and thus, switches on our future-seeing abilities. Since we aren't actually moving and the figure is static, we misperceive the straight lines as curved ones.

"Evolution has seen to it that geometric drawings like this elicit in us premonitions of the near future,” Changizi said. "The converging lines toward a vanishing point (the spokes) are cues that trick our brains into thinking we are moving forward — as we would in the real world, where the door frame (a pair of vertical lines) seems to bow out as we move through it — and we try to perceive what that world will look like in the next instant."

Grand unified theory

In real life, when you are moving forward, it's not just the shape of objects that changes, he explained. Other variables, such as the angular size (how much of your visual field the object takes up), speed and contrast between the object and background, will also change.

For instance, if two objects are about the same distance in front of you, and you move toward one of the objects, that object will speed up more in the next moment, appear larger, have lower contrast (because something that is moving faster gets more blurred), and literally get nearer to you compared with the other object.

Changizi realized the same future-seeing process could explain several other types of illusions. In what he refers to as a "grand unified theory," Changizi organized 50 kinds of illusions into a matrix of 28 categories. The results can successfully predict how certain variables, such as proximity to the central point or size, will be perceived.

Changizi says that finding a theory that works for so many different classes of illusions is "a theorist's dream."

Most other ideas put forth to explain illusions have explained one or just a few types, he said.
The theory is "a big new player in the debate about the origins of illusions," Changizi told LiveScience. "All I'm hoping for is that it becomes a giant gorilla on the block that can take some punches.


ACOUSTICAL ILLUSIONS:

The Ondes Martenot - very strange French keyboard with a plaintive spacey sound

Definitely better sounding than most analog synthesizers, this highly refined instrument has been invented in 1928 by a French radio enthusiast Maurice Martenot. The pure "space bliss" sounds are made by pressing the sensitive button with your left hand (modulating the waves) and stretching the special string assembly with your right hand.


(image credit: Keyboardmuseum)

Here is a demonstration of the technique:



Watch Radiohead perform on the Ondes Martenot the techno despair sounds that this instrument was plainly designed to produce. "The Martenot Waves" keyboard was also used in the "Lawrence of Arabia" and "Mad Max" soundtracks.



Bored of the tinny sounds your little piano or guitar makes? In the mood for something as big and mysterious as the ocean itself? Come to Zadar, Croatia, and listen to "The Sea Organ". Giant 70 meters long instrument has 35 pipes and resonating underwater cavity - they interact with tides and wind to produce the deep, entirely natural sounds.



Designed by award-winning architect Nikola Basic and built in 2005, this project is not only extremely popular with tourist, but also a welcome redeeming feature for what was once an ugly concrete-enclosed waterfront.



Such nature-affected instruments are often called "aerophones", and at any given moment listeners can hear at least five pipes played in harmony by the waves and wind movements. This page has a sample of "sea Organ" sounds.

The air holes "breathe in" the wind along the shore, and the pipes hidden deep underwater make lower sounds.






13:


Bagpipe - piper

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girlie bullhorn mouth
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posted by u2r2h at Tuesday, June 03, 2008

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